The illustration is primarily predicated on the representation of the Jungalow House in Gujarat based on the representation formulated by a Japanese architect, Ryoji Suzuki of the Azabu Edge in Japan. It is solely stationed on emphasising the principle of extrusions considering the plan of the structure as the baseline. These include highlighting all the structural aspects irrespective of its form or the axis in which they exist. The purpose of having a dichromatic layout is fundamentally driven by the visual aesthetics and relevance of materials applied in the life-sized structure.